I mentioned this book back in December and read it shortly afterwards: Against Technology: From the Luddites to Neo-Luddism by Steven E. Jones. I've been meaning to write up a proper review but haven't had time. Here are some rough thoughts while it's still reasonably fresh in my head.
An Overview of the Book:
The book comes at the Luddites from the perspective of cultural/literary criticism -- Jones is an English professor. He shows how the idea of The Luddites quickly grew to represent more than just a small, localized labor conflict. In fact the Luddites' own writings (Jones draws many examples from Kevin Binfield's 2004 book: Writings of the Luddites) were richly allegorical, and they drew parallels with the Robin Hood movement/mythology that came out of the same geographical area of Sherwood Forest only shortly before.
Jones's main thesis seems to be that the meaning of the Luddites has
been perverted repeatedly, not only to be anti-technology or
anti-science, but by the politically liberal to also mean "back to
nature," new-age, or anti-capitalist movements.
The Romanticizing (literally) of the Luddites began with writing from that period by Blake, Byron, the Brontes, and Keats, which contained explicit mention of the Luddites and similar labor struggles. Jones makes the point that these mostly elite, high-brow writers were far removed from the reality of the poor lifestyles of the Luddites.
Jones devotes the next chapter to Frankenstein, mostly in order to chastise you for thinking it has anything to do with the Luddites. He begins "Name a Luddite novel: Odds are you're thinking of Mary Shelley's Frankenstein." Frankenstein of course has no struggling workers, no employers to rebel against, no physical machinery, etc., and Jones makes sure we know that. Frankenstein has evolved into an anti-science/technology myth (along with other Golem tales), and Luddism has evolved into an anti-science/technology myth too, but I think Jones is off-base in thinking anyone believes Frankenstein has anything to do with Luddism if you take out the anti-science/technology link. Or maybe I just missed Jones's point.
Several more, mostly little-known novels pop up in the next chapters, and Jones traces anti-technology themes through them.
In the final chapters, Jones gets to the two latest neo-Luddite periods, where Luddism has been most perverted from its original form. The 1960s counter-culture has been described as a rebellion against technocracy by Theodore Roszak. This period also saw the rise of "Appropriate Technology" movements, led by E.F. Schumacher and others. The counterculture then split -- one side going the way of environmentalism, new-age, and back-to-nature, the other towards cyberculture, hacking, and Wired. The Luddite idea continued in the first branch, in forms such as Edward Abbey's eco-Luddism and radical environmental movements. The second branch of the counterculture, now the cyberculture, obviously dropped any anti-technology heritage it might have had.
In the 1990s, a new Neo-Luddite movement emerged in writings by Kirkpatrick Sale, Chellis Glendinning, Sven Birkerts and others. Jones seems most critical of these writers for calling themselves Luddites, and taking a spiritual/philosophical approach to the question, which surely the original Luddites would have no time for. He's right of course that Luddism by now has quite a different meaning in popular culture, but I think he's a bit unfair to these authors -- they clearly weren't the first to stretch the term, as Jones himself has shown.
Jones describes the anti-technology leanings behind other far-left radicals and others, including terrorists: Primitivists, John Zerzan, anti-globalization protestors, and Ted Kaczynski.
Summary, Criticisms:
To my limited knowledge this is the best study to date on the cultural evolution of the idea of the Luddites and anti-technology themes in culture and literature.
There are two ideas that seem to be missing from the discussion, though. First, the term "Luddite" is used not only by those who call themselves Luddites, but by those who oppose them, or in fact oppose anyone showing skepticism about science and technology. "Luddite" is an insult as much as it is a badge of honor, so the construction of the term's current meaning co-evolved on both sides. Embracing the term "Luddite" is partly a response to those who use the term negatively (and too broadly). By leaving out the Luddite-insulters, I think Jones misses part of the story.
Second, Jones associates neo-Luddism only with those on the political left. This is probably technically correct, but events happening in the current decade in the U.S. are messing up the pattern. The fabled Republican War on Science would have us believe that conservatives are the new Luddites. This is wrong -- conservatives are certainly pro-science/technology when it's in their interests -- but "Luddite" is a handy insult, so more and more it gets associated with religious or conservative opposition to science. If you take a skeptical attitude towards technology these days or call yourself a Luddite you're likely to be pigeon-holed as a political conservative. This is something you wouldn't expect from Jones's analysis (and it's something I didn't quite expect when I started this blog two years ago).
Apologies again for the sloppiness. In short: good book. If you're seriously into lit-crit and luddites, buy it. Just into luddites/technology? Borrow it from the library.
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